Openings · 鷺宮定跡
Saginomiya Joseki.
Lift the 6i gold to 6h, wait for White’s sixth-file pawn, then swing the rook to 3h before attacking the bishop’s head.
The idea
Aono Teruichi devised this line in the early 1980s, and Yonenaga Kunio made it famous by playing it in title matches; both lived in Saginomiya, in Tokyo’s Nakano ward, which gave it its name.
From the Left Silver-57 position of the Left Silver-46, with White’s silver still on 3b, Black first lifts the 6i gold to 6h, making the Boat a little firmer (the 舟囲いDX: king 7h, golds 6h and 5h), so that White has to commit to the 6d push. Then the rook swings to 3h before anything else, and only then does the third-file pawn go.
After the bishop trade on 3c, Black’s silver comes to 3e and a pawn dropped on 3d presses on White’s camp. The sources rate Black’s position at the end of this line as good; Yonenaga called the line hard work even for professionals.
How it goes together
Both sides’ moves are shown, because this opening is an agreement rather than a system: one player cannot reach it alone, so a one-sided list of moves would be a fiction.
Step through the moves, or press play.
Tap a move to jump to it. Arrow keys work once the board has focus.
Every move of the line, with reasons
| # | Black | White | Why |
|---|---|---|---|
| 1 | ▲7六歩 7g7f | △3四歩 3c3d | |
| 3 | ▲2六歩 2g2f | △4四歩 4c4d | |
| 5 | ▲4八銀 3i4h | △4二飛 8b4b | White swings to 4b: the Fourth File Rook. |
| 7 | ▲6八玉 5i6h | △7二銀 7a7b | |
| 9 | ▲7八玉 6h7h | △9四歩 9c9d | |
| 11 | ▲9六歩 9g9f | △3二銀 3a3b | |
| 13 | ▲5六歩 5g5f | △6二玉 5a6b | |
| 15 | ▲5八金右 4i5h | △7一玉 6b7a | The right gold to 5h: the Boat is built. |
| 17 | ▲2五歩 2f2e | △3三角 2b3c | |
| 19 | ▲6八銀 7i6h | △8二玉 7a8b | |
| 21 | ▲5七銀左 6h5g | △5二金左 4a5b | |
| 23 | ▲3六歩 3g3f | △5四歩 5c5d | The Left Silver-57 position. White waits with 5d. |
| 25 | ▲6八金上 6i6h | △6四歩 6c6d | The gold steps up to 6h: the Boat becomes the 舟囲いDX. White commits to 6d. |
| 27 | ▲3八飛 2h3h | △4三銀 3b4c | The rook swings to 3h: the Saginomiya position. White brings the silver up to 4c. |
| 29 | ▲3五歩 3f3e | △同歩 3d3e | The break. White takes. |
| 31 | ▲4六銀 5g4f | △4五歩 4d4e | The silver to 4f. White strikes with 4e. |
| 33 | ▲3三角成 8h3c+ | △同桂 2a3c | Black trades bishops. White’s knight takes back. |
| 35 | ▲3五銀 4f3e | △2五桂 3c2e | The silver takes the pawn on 3e. White’s knight jumps to 2e. |
| 37 | ▲3四歩 P*3d | △3二飛 4b3b | A pawn dropped on 3d, backed by the silver on 3e. White’s rook to 3b: ja.wikipedia’s main joseki position, with Black doing well. |
The plan once you are set up
- Build the Boat and the Left Silver-57 position.
- Lift the 6i gold to 6h and wait for White’s 6d.
- Swing the rook to 3h before you attack.
- Push 3e, bring the silver to 4f, trade bishops when White plays 4e, and follow with the silver to 3e and a pawn dropped on 3d.
What to watch for
- White’s waiting move. shogilounge calls the lance to 1b, instead of 6d, White’s best wait against this line, and that is not the line shown here.
- White’s 4e, the counter in every one of these lines: it hits the silver on 4f and opens White’s bishop.
- Yonenaga’s warning: the line is hard work even for professionals.
What it is played against
A Fourth File Rook with a Mino whose silver is still on 3b, waiting with 5d and 6d. ja.wikipedia says the line works against a Fourth File Rook played by either side, unlike the Yamada Joseki.
Play it against the bot.
The bot’s search levels, 9 to 12, open from a book that holds two of these openings, the Fourth File Rook and the Yagura; the Mino levels play the openings people play. Either way the review afterwards shows you where the game left the line. Try the line, then try the plan.